#Chromakey movie studio portable#
#Chromakey movie studio Pc#
#Chromakey movie studio tv#

It also required lots of expensive, cumbersome overhead lighting to make the scene appear evenly lit. In the past, a television production required a dedicated studio.

Replace the green screen with a convincing digital background That helps the viewer accept that a chroma shot is working. But it can go far in providing that suspension of disbelief. Ironically, itвЂ™s probably a more exaggerated shadow than youвЂ™d want were the talent properly lit and standing on a real set. And like most compositing programs, they both allow for the creation of large blocky вЂњgarbage masksвЂќ to block out background objects (such as lighting rigs) in a quick-and-dirty fashion before beginning the fine tuning.ДЄdditionally, both programs (and many others) can create a shadow effect between the talent and whatever background you insert. This helps to reduce or eliminate that green-screen halo effect that causes viewers so many flashbacks to those 1970s-era weathermen. For example, while Adobe After Effects has a somewhat more cumbersome graphical user interface than Adobe Premiere Pro, After Effects has a matte choker function that can dramatically tame matte bleed.

How tight the compositing looks will depend on the quality and design of the program you use. Once you have shot the footage in front of the green screen, itвЂ™s time to composite it, via your editing program. It helps to blur the backdrop, which keeps wrinkling and other blemishes from affecting the key. This helps to reduce spill from the lights illuminating the talent into the lighting on the green screen. Second, it helps to stand the subject as far away from the backdrop as possible to separate the two. Second primary key to successful chormakey This is time-consuming, so keeping the color as uniformly lit as possible on the set makes the post-production work much easier. Many programs use a tool with an eyedropper icon (similar to those in digital photography programs such as Photoshop) to select the shade of green or blue in the backdrop and key it out. The first is to make sure to light the background as evenly as possible, with no hot spots. If youвЂ™ll pardon the pun, there are two primary keys to successful chroma. This will help you avoid errors while videotaping the talent and hours sitting in front of the compositing program. Whichever program you use for green screen, youвЂ™ll find that the process will be much smoother when you plan ahead. Many of todayвЂ™s editing programs now have chroma effects built into them. With those, videographer can quickly swap out the color when necessary.

#Chromakey movie studio portable#

This phenomenon is one reason that companies such as Photoflex (make portable backdrops with both green and blue sides. Ensure that his or her clothing doesnвЂ™t interfere with the key. Image courtesy .Д«e sure to advise your on-air talent to dress appropriately. And that technology has recently trickled down rapidly to the consumer level.Д¬hristopher ReeveвЂ™s Superman.

#Chromakey movie studio Pc#

One reason these effects have taken off in the past few years is that compositing via PC has become incredibly sophisticated. TheyвЂ™re the key to Hollywood blockbusters ranging from the recent trilogy of Star Wars prequels to such quasi-comic book films as Sky Captain, Sin City and 300. These days, chromakey and related technologies, such as blue and green screen effects, have been greatly improved. That ended up causing said weatherman in his garish plaid polyester jacket to appear to be dematerializing into his map, usually somewhere around the Great Lakes or Sheboygan.Д«ut that was long ago. But very often, the key would be imprecise. Then they would delete the background color and insert various images, from maps to pictures. The goal of that new technology was to shoot the weatherman in the studio against a blue or green screen. That resulted in conjuring up the images of cheesy weathermen in garish plaid polyester jackets standing in front of superimposed maps.

#Chromakey movie studio tv#

The use of blue or green screens as backgrounds chromakey became widespread amongst local TV news programs. Green screens and blue screens were the keys to chromakey in the 1970s.